Awen Publications

<p>In the Chinks of the World Machine provides a committed but very readable picture of the achievements of serious science fiction by women at the time of its publication in 1988. Sarah Lefanu was in a privileged position to write &hellip; <a href="https://nansondeeptime.wordpress.com/2018/08/22/in-the-chinks-of-the-world-machine/">Continue reading <span class="meta-nav">&rarr;</span></a></p>

<p>The Spy Who Loved Me was the only one of Ian Fleming’s James Bond novels that I didn’t reread the second time round, in my early thirties. The reason I didn’t was probably the same reason the critics had panned &hellip; <a href="https://nansondeeptime.wordpress.com/2018/01/17/ian-flemings-the-spy-who-loved-me/">Continue reading <span class="meta-nav">&rarr;</span></a></p>

<p>Among the leading figures of the British storytelling revival, Hugh Lupton is one very worthy of ecocritical attention. Shows such as On Common Ground (performed with Chris Wood) and The Liberty Tree (performed with Nick Hennessey) passionately engage with the &hellip; <a href="https://nansondeeptime.wordpress.com/2017/09/09/the-ballad-of-john-clare/">Continue reading <span class="meta-nav">&rarr;</span></a></p>

<p>Fantasy as a dedicated genre didn’t really exist in Greece till very recently. Many of the stories gathered in The Dedalus Book of Greek Fantasy, dating from the 19th century to the turn of the 21st, are by mainstream literary &hellip; <a href="https://nansondeeptime.wordpress.com/2017/07/31/the-dedalus-book-of-greek-fantasy/">Continue reading <span class="meta-nav">&rarr;</span></a></p>